Wait, 2002
wood, paint
108 x 142 x 48 inches
wood, paint
108 x 142 x 48 inches
London Avenue, 2008 poplar, sandbags, text
96 x 156 x 36 inches
258 Main Street, 2002
wood, paint
89 x 89 x 20 inches
96 x 156 x 36 inches
258 Main Street, 2002
wood, paint
89 x 89 x 20 inches
The Angle of a Landscape, 2007
wood, paint, C print
81 x 108 x 29 inches
Ama, 2003 wood, paint. 96 x 79 x 38 inches rear view
Waterline, 2006
17 framed C-prints
image size 11 1/4 x 16 1/2 inches; frame size 17 x 25 inches each
wood, paint
dimensions variable
wood, paint, C print
81 x 108 x 29 inches
Ama, 2003 wood, paint. 96 x 79 x 38 inches rear view
A lot of his work references some British catalog of utility furniture which I still don't really understand and deals with the recurring theme of a wall with attached chair or desk. Maybe it's connected to the utility furniture, but I'm not sure what the significance of this is. He seems to be doing the same project over and over assigning different meanings to it. It seems strange to me.
Waterline, 2006
17 framed C-prints
image size 11 1/4 x 16 1/2 inches; frame size 17 x 25 inches each
wood, paint
dimensions variable
He also did some photographic work entitled Water Line based on hurricane Katrina. The photographs were the same old photos we've all seen before destroyed houses, however these were much more interesting than his other work; he painted the walls of the space up as high as the water level in the photographs. It really brings you into that space and feeling of having water up to your waist. Incorporating the space in this way is something I could consider in my onw work. The only other thing I got out of Cape's work was to make sure my work is about what I am talking about, I know this came up in my critique and I don't want it to happen with my work.
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